Tuesday, October 23, 2012

KING SALAMI AND THE CUMBERLAND 3 - CAN YOUR MONKEY DO THE WURST CD




In 2006, one Japanese, one French, one Caribbean and one Spanish got together to form a black rhythm & blues party band!

London's newest R&B-punk sensation – okay, maybe our only R&B-punk outfit – are making fun times where ever they go. With a repertoire encompassing many of the greats of the '50s and '60s you won't be able to help but move your feet. The King howls like Screaming Jay Hawkins with Bo Diddley chasing his coat-tail and with Andre Williams trying to offer up some of his bacon fat. This man never stops shakin' and twistin' and groovin' while the Cumberland 3 (former members of the Ulcers, Chinese Lungs and Parkinsons) play their own branded mix of vintage rockabilly desperate rock'n'roll and a bit of soul with fire, energy, gusto and fun!

They have played all over Europe, and more recently Japan & China, sharing the stage with the Pretty Things, the Trashmen, the Standells, the Mummies, the Bellrays, the Cynics, etc...and have released a bunch of killer 45's on different European record labels.

This CD release collects a bunch of their 7" tracks plus rarities and compilation tracks.

Friday, October 19, 2012

THE SINGLES "Use it for yourself" 2xCD - OTH 7114

THE SINGLES "Use it for yourself" 2xCD - OTH 7114 




The Singles are a band I have always rated as highly likely to make it big. I find them one of the most charming pop groups around. The songs are inhabited by characters from broken homes, children whose fathers have died, boyfriends whose girlfriends have left them lonely and despairing. They tread the same general trail forged so admirably by the Buzzcocks and the Undertones, and though they have not scaled those dizzy heights of popdom there is every suggestion their best moments are still ahead of them. - Roadrunner, 1981.


So wrote the ex-Riptides guitarist and music journalist Scott Matheson in the music magazine Roadrunnerin early 1981. But like with The Saints, The Triffids, The Go-betweens and The Boys Next Door, the wider Australian music scene was not receptive, even hostile, to bands whose music didn’t fit the commercial music industry mould that existed at the time. Many lesser bands went on to enjoy commercial success in Australia with vastly inferior songs. Many bands decamped and went to Europe. The Singles battled it out in Sydney striving for recognition and success.


The Singles started playing the Sydney inner city scene in the early 1980s in venues such as the Civic, Rock Garden, Chequers, Frenchs, the Paddington Green and the Heritage Hotel. Their sound was post punk art pop reminiscent of the Buzzcocks. The songs are simple, melodic, catchy and straight to the point pop. Songs such as ‘Love of Loves’, ‘Stay’, ‘Perfect Girl’, ‘Sad Clown’ made instant connections to the young inner city Sydney audience who just missed mid 1970’s punk scene.


In early 1980 the Singles release their first ep Love of Loves on Double Think Records. This ep immediately sold out. Later in 1980 the Singles released Someone that I knew on Basilisk Records and this further cemented their sound and their audience. Someone that I knew started getting solid airplay on the ABC’s Sydney music station DoubleJay (2JJ). The Singles started to fill inner-city venues and booking agencies tried them in the large suburban beer barns where their post punk pop sound didn’t go down with suburban audiences who wanted the Radiators, ‘Chisel’ and the Angels and definitely not charming pop.


Undeterred The Singles continued to play the inner city while venturing out into the suburbs supporting the likes of Sunnyboys and InXS. They released the limited edition cassette singlesSomething’s’ Not Right in 1981 and The Party in 1982. Their final single The Day was featured on the compilation Shake and Shout released by Survival Records in 1984


This was a time when Sydney’s rundown inner-city saw an explosion of creativity from a new generation of youth who inhabited the squats and cheap rent terraces of Darlinghurst, Chippendale and Newtown, This generation referenced a blend of mid 1970’s nihilist British punk and the blistering attitude on 1960’s American and Australian garage pop. It was a time when in both Sydney and Melbourne young musicians and artists were breaking the shackles held over the Australian music scene by commercial radio and record companies that controlled Australian music through the 1970s.


While the Singles received critical acclaim in the music press, enjoyed solid air play on 2JJ and a held a loyal and enthusiastic inner city following, wider commercial success eluded them. In mid 1983 they played their last show at the Sydney Graphic Arts Club in Chippendale just a few blocks away from the terrace where they formed four years earlier. Use it for yourself is an anthology of The Singles songs from their EP, single, cassette and compilation releases from 1980 – 1984.





Disc 1

Vinyl & demos


1 Someone That I Knew

2 The Day

3 Love Of Loves

4 Sad Clown

5 Stay

6 If You’ll Only

7 The Perfect Girl

8 Billy

9 It Wasn’t Really There

10 What Was Wrong

11 I’m Tired

12 Run On A String

13 How Does It Feel

14 Maybe No One Knows

15 Virgin

16 Use It For Yourself

17 Visit

18 Since I Met You



Disc 2

Live at Caringbah Inn, April 1982


1 What I Want To Do

2 Every Other

3 Playground Of Love

4 What Was Wrong

5 Since I Met You

6 Opening Doors

7 Stay

8 Just My Imagination

9 Can We Play

10 But Til Then

11 Sleepless Nights

12 Say Hello

13 The Party

14 Something’s Not Right

15 Uninvited Guests

16 What Am I

17 Sad Clown

ZOOBOMBS "ULTIMATE COLLECTION" CD




Off The Hip is proud to present The Zoobombs 'The Ultimate Collection'! For those of you who aren’t familiar, Zoobombs formed in Tokyo in 1994, toured with The Flaming Lips and Jon Spencer Blues Explosion and were dubbed “Heroes of the Japanese Next Wave”, they have been playing their unique brand of bombastic and explosive garage party psych rock for over 15 years and have gathered a cult audience all over the world.

“The supersonic Tokyo band somehow morphed from Stonesy punk-rock maniacs to freaky jazz-rock jammers without missing a beat, or losing a tad of their record-breaking inte
nsity. Band leader Don Matsuo repeatedly risked everything, pushing the audience to the brink with endless jams before dissolving into a gloriously noisy release.” - Toronto Sun. T
his Off The Hip release includes twelve of Zoobombs greatest hits, including the infectious party groove of 'Mo Funky' and the explosive energy of 'South Central Rock'. Soon to be touring with Melbourne garage ratbags Mesa Cosa, this CD is a special edition Australian release that will have you jumping up and down in your bed with unashamed abandon. Don't miss Zoobombs on their August Australia tour and pick up this exclusive Off The Hip release in store now!

MESA COSA "INFERNAL CAKEWALK" CD



'Mesa Cosa are proud to be releasing their much lauded 'Infernal Cakewak' record via Off The Hip Records.
Recorded in their dingy Brunswick living room by Nao Anzai (Rat vs. Possum/Nunchukka Superfly) and packaged in a lush sleeve designed by CM Ruiz (Dead Ghosts, Davila 666, Tacocat). The Infernal Cakewalk EP captures Mesa Cosa’s “the Stooges walk into a Tequila bar” live attitude in a “hey, we put out a record!” kind of way.
With three additional tracks plus re-mastering by Mikey Young this is the definitive version of one of this years most raucous standout releases. 'A formidable debut' said Beat magazine. The Infernal Cakewalk EP offers ten of Mesa Cosa’s enigmatic fist-pumping garage songs from their huge ouvre. Featuring the sing-a-long garage anthemShoplifter, noise punk orgy Los Perros (The Dogs) and the 6(66) minute opus of fuzz, demonic chants and free saxophone bedlam boogie Diablo.
Mesa Cosa are a six piece from everywhere between Mexico City and Melbourne, Australia, that play an aggressive blend of noisy punk, garage rock and Mexican folk tunes. Led by a diminutive chilango from Mexico City, singing in both Spanish and English, Mesa Cosa mix their un-dying love of Mexican celebrations and dark symbols with their un-ashamed love for garage music and experimental noise.Mesa Cosa (only) play fun, energetic shows filled with dancing, mayhem, things breaking, people fall- ing down, glasses smashing, amps failing and tambourine sacrifices to the party gods.
Having the honor of playing with some of Melbournes most amazing bands in Melbournes most ritualized venues. Mesa Cosa have earned a cult following second only to Allah and the Rocky Horror Picture Show. Soon to be playing with some of the best bands the US and Japan have to offer, this is a band to watch and this is a record to quickly add to your collection.


"Every thousand years or so, the Devil throws a party, as you well know, I'm never invited. But I hear this time around Mesa Cosa played. and. they. destroyed. EVERYTHING! Then.. every body got laid."
-God

OUT NOW on Off The Hip