Tuesday, July 16, 2013

LOS CHICOS "IN THE AGE OF STUPIDITY" / KING SALAMI & THE CUMBERLAND 3 - "COOKIN' UP A PARTY"


NEW RELEASES

KING SALAMI & THE CUMBERLAND 3 - "COOKIN' UP A PARTY" CD - OTH 7126

It’s one of my regular rants, but the 21st Century really does suffer from a dearth of good, original R’n’B (no, not Rhianna, rhythm and blues you fools). I mean, the trad rockabilly circuit has got the classic rock n roll sounds covered, but where’s a boy supposed to go when he’s finished with Ray Charles and wants something with a bit more teeth?
Step in London’s King Salami and The Cumberland Three. Playing a potent blend of sausage-influenced gonzo rhythm and blues, fronted by the eponymous maraca brandishing King Salami, part manic Screamin’ Jay Hawkins, part Symarip-style gang leader, this is just the tonic for a world that’s forgotten how to dance.
Following up nicely where 2010s Fourteen Blazin’ Bangers left off, I suppose perhaps the extra-special ingredient in the King’s secret recipe, beyond the mans own charisma, is a big dash of punk energy from ex-members of The Parkinson’s, amongst others. Yeah, I didn’t see that one coming either. It’s not a direct musical link, but you can see some of that vibe soaking through in these two and a half minute blasts.

You could argue that maybe this is a bit of a 50s/60s Americana throwback, and yeah there is the odd knowing wink to the High School Dance et al, but really, good rhythm is timeless. Thoroughly recommended for anyone that likes to move their hips, click their fingers and swing, as well as just going a bit mental.

LOS CHICOS "IN THE AGE OF STUPIDITY" CD - OTH 7122

Beck, in a Spanish press conference, said: “Los Chicos are my favourite Spanish band.”

Los Chicos is a five-man rock’n’roll machine constructed from the best parts of all the best components of 20th century rock’n’roll and rythm’n’blues. They put the ingredients into the mix...and then kick the livin’ shite out of it! It's a sound that, on stage, explodes into a powerful and exhuberant rock'n'roll party.

Featuring a line up that makes the Cramps’ audience at Napa State look normal – a fast talking highclimbing frontman, a shaven-headed evil Doctor Pineapple, a bubble-permed bassist, and last but not least the only real twin guitar team treading the boards today, Spain’s best band gather new fans everywhere they go. It's your turn next!

For this, their fifth album, recorded in the summer heat of Madrid in four days and mixed in another three by Mike Mariconda, Los Chicos have collaborated with well-respected Spanish artistes such as Josele Santiago from Los Enemigos and Hendrik Röver from Los Deltonos.

There cannot be a more direct, more raw, less artificial recording available today. In the Spain of today this is the only way to deal with the problems, primarily economic, affecting Spanish society and the band members in particular: beer, good parties and much laughter. And this comes out in the recording, along with a dash of anger. And, in part thanks to the current climate, this may be the most powerful sound they’ve ever achieved.

CAL PECK AND THE TRAMPS "Self Titled' CD OTH 7127


About the Album:

Hard guitar and high-toned harmonica. Power and passion. Worn-down weariness and outsider optimism. Old-school chops and right-now energy. Cal Peck and the Tramps.

The Tramps have been a crucial and constant part of the Perth live music scene for a good long while now, but it’d be disingenuous to try and say that their new LP, “Cal Peck and the Tramps”, hasn’t been a long time coming. Happily, in this instance, the anticipation does not exceed the actual event; the wait has been worth it.

Under the watchful eye of producer Andy Lawson, the Tramps have laid down fourteen sort, sharp, shoot-from-the-hip tracks that distil their audacious live sound into a rock solid album. The standout songs? It’s hard to say. “Leave Me Be” sounds like a thesis on theatrical heartbreak, but it’s matched by the band’s strident cover of Joe Neal’s “Don’t Quit Me Baby.” Just when you’re caught in the mistaken notion that the album is all mid-tempo malaise and heartache, along comes “Bump D’Bump” to pick things up. And, of course, perennial favourite “Cinnamon” gets a look-in, and it’s never sounded better.

The secret’s in the mix. Cal and company know that there’s no joy without sadness, and vice versa; there’s no rock without regret, no swagger without sorrow. It’s their understanding of that strange emotional alchemy that makes them a great band, and this a great album.

And even if that doesn’t grab you, it’s got a beat and you can dance to it.

Sometimes that’s enough.

About the Band:

It’s garage rock. It’s hard edge guitar and howling harmonica. Its teenage yearning wrapped in an old blues man’s weary cynicism,

and shot through with a rock and roll rhythm that won’t quit. It’s Cal Peck & the Tramps, a four piece outfit whose musical ethos is built around the notion that feeling bad and sounding good aren’t mutually exclusive.

Formed in 2008, The Tramps - frontman Callum Peck, bassist Byron Robertson, Drummer James “Bangers” McKay and harmonica player Dave Benck - have developed an indelible musical identity that draws on a range of disparate influences and fuses them into something wholly unique. Combining the youthful, rebellious anger of ‘60s garage rock, the damned-if-you-do. hard rain worldliness of delta blues, and the electrifying strut of ‘50s rock and roll, Peck and company deliver home truths and hot tunes in way that is direct, accessible, honest, and unforgettable.

Cementing their reputation early on with the six track demo they recorded with Andy Lawson of Debaser Studios, which included the wildly popular song “Cinnamon.” “Cinnamon” subsequently became the title track of their debut EP, recorded at Cellar Sessions Studio and nationally released through Firestarter Music in August 2009. 2010 saw the release of their second EP, “Kill For You,” with the track “Isn’t Hard to See” receiving national airplay. In 2011, the band release the double a side “Break Out” on their own label, Hurricane Records. Again, this has received nation-wide radio play, as well as heavy support from RTR fm in Perth.

Throughout this period, Cal Peck & The Tramps have honed their live show, earning a reputation as one of the best live acts in the Perth scene, fulfilling residencies at Devilles Pad, Mustang Bar and The Newport Hotel and appearing at events such as The Beaufort St Festival, Northbridge Festival, Blues at Bridgetown, Hope From Ashes Toodjay Benefit, The One Movement showcase. In addition, The Tramps have supported such acts as Reverend Horton Heat (USA) and Heavy Trash (USA).” WAMI nomination for best blues act in 2010.

This year will see the release of The Tramps first full-length album released on renowned Australian Label Off the Hip Records, again recorded with old sparring partner Andy Lawson. Already one of the well-regarded original bands in Perth, 2013 promises to be the year in which Cal Peck punches through to the next level.